On the day Jerry’s dreams finally came true, he died.
When a lifetime of bad decisions finally catches up with you, you wonder if in your case, free will wasn’t all it was cracked up to be. Relax; some things last forever.
“An interesting examination of the prevalence of destiny and the impossibility of tricking death and bad fortune. The dialogue – particularly that of the Friend- is snappy and quite funny.” — ARENA STAGE, Washington DC
“You skillfully navigate a bold and inventive structure with compelling language. The character of “Friend” is particularly powerfully imagined. We look forward to reading more of your work.” — YALE REPERTORY THEATER, New Haven
Charlie
Clark kept a journal for fifty years. His story lies on the table
with its terrible ending for everyone to see, for anyone to tell.
John
Bridges is Walker Maxwell. Walker Maxwell's first book was a bestseller.
The follow up refused to follow; the pressure was enormous; so Walker
lied. He took what didn't belong to him and told the world it was
his. John's wife Emily is a nursing home nurse. Emily wasn't truthful
because she loved her mother but Emily didn't lie. She only wants
to save her husband from his lie. Max Trumper is Walkers agent;
he can save the liars? Francine and Margaret Simon are seventy-year-old
twin sisters from Columbus Ohio; they can't lie; they are the brutal
truth.
"Shelter" was produced fall 2006 by the American Negro Playwright Theatre in residence at Tennessee State University in Nashville.
BEST USE OF THEATER AS A VEHICLE FOR SOCIAL CHANGE: Jim Reyland's SHELTER On a subject close to his heart, local writer and producer Reyland crafted this drama about life among the city's homeless. Based on Reyland's own activist experience, and drawing from an actual and tragic local death, Shelter drew support from homeless organizations and helped raise awareness of one of those social ills that just won't go away. —MARTIN BRADY, NASHVILLE SCENE, OCTOBER 15TH 2007
'SHELTER'
A play in two acts
By Jim Reyland
Two wealthy brothers, one escapes with lofty ideals
the other is set free on the world with a heart full of self-pity
and a passion
for disruption. With the help of two vagrants they explore the
elusive equality of a single human life and reveal important
aspects of the tragedy of poverty and hopelessness as it unfolds
against the backdrop of an all night "cleansing" at
St. Albert Hall.
Ten do's and don'ts when approached by a homeless person.
#1. Ask their name and give them a few minutes of your time just to talk.
#2. Suggest local agencies that might help like The Campus in Nashville.
#3. Carry Mcdonald's gift certificates in small denominations or take them to McDonald's to eat.
#4. In the winter keep warm socks and old coats in your car.
#5. It's best not to drive them or follow them anywhere. This usually leads to a scam.
#6. Don't hand out cash. The average panhandler can make over a $100.00 a day and most of it goes to drugs and alcohol.
#7. If they have a long rehearsed speech with props it's probably a scam .
#8. Check their shoes, if they have nice shoes they're probably working you.
#9. If you encounter them multiple times get to know them. Learn their story, remember their names.
#10. Follow your heart.
Bobby
Warren has a secret!
But is there too much stuff
between him and the truth?
'Stuff,' a two-hand one set play featuring Milton
Stack and Bobby Warren, two former Army buddies hired to clean
out the stuff that has accumulated on the stage of an old vaudeville
theater. As the play opens, the stage is filled with every kind
of 'stuff' imaginable. As the story progresses, the audience discovers
that there is a violent and until now unspoken history shared by
the two men. These are two people who respect each other and have
taken care of each other but there's that awful past they've never
really talked about. Little by little we clear away the stuff to
reveal the pain and discover the forgiveness. The piece closes,
the stage is now empty and Milton and Bobby have cleared the 'stuff'
from the stage and from their lives.
"Bobby
Warren has a secret, but there may be
too much stuff between him and the truth."
"Entertaining,
fast-paced and emotionally fearless"
‘Article
IV’ (Good
people do bad things) A
new play
By Jim Reyland
Reclusive
millionaire Jonathan Forty wants to give away his fortune.
Faith Lockhart is willing to pay the price.
Jonathan
Forty an eccentric bachelor piano teacher receives a phone call
on his fortieth birthday. Adopted at age six months, his biological
father has died and willed to him a vast fortune. Paralyzed by
a life of abandonment; he sets out to find a companion who is
willing to marry him, bear him a child, quietly divorce him and
for a price, remove herself from their lives forever.